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Dark Descent Microhorror

Each month, we drop one eerie image.
Writers turn it into nightmares.
Below are this month’s entries.
Read them carefully.
The one that lingers — the one that unsettles — is the one that deserves your vote.
The top three stories will be chosen for publication in the Dark Descent monthly magazine.
This is where the shadows take shape.
And where you decide which ones survive.
Each month opens on the 1st. Submit your story before the 25th. Then the community decides. Voting closes on the final day.


June 2026
Witch's Wood
Daniel Hollister
The dry twig snapped under the sole of Mark’s boot, the cracking sound echoing through the trees. Freezing in his tracks, he darted his eyes around the shadowy glade like a startled harvest mouse.
Moments earlier, he had followed the long snaking skid marks, scorched onto the country lane, and had stepped through the large hole in the hedgerow, where shredded branches were bent inward, directing him to the dark wood beyond. Hopefully, to where his older brother, now missing for three days, would be found.
As the eerie silence returned, a chill rode up Mark’s spine and ice coursed through his veins.
He continued onward.
A few steps further on, he suddenly caught something in his peripheral vision and, once again, abruptly stopped. He turned to face what he could barely make out to be a weak red light emanating from the darkness on his left. It was an offside brake light on a black transit van, which had been wrapped around a large oak tree.
Mark rushed over to the vehicle and immediately noticed the deep lacerations along its body work, the metal of the chassis exposed. He bent down and crested a hand over the war wounds. It must have been going like a bat out of hell, he thought.
He jumped up and desperately tried to peer inside. But the glass all around was tinted opaque, including the windscreen. He tugged on the driver’s side handle, but it wouldn’t respond.
Then something on the windscreen drew his attention. Markings of some kind. Symbols. Circles with petal-like ovals stemming from the centre to the edge. Each one the same as the last.
Then it dawned on him. He knew exactly what they were.
Apotropaic marks. Daisy wheels. Hexafoils.
He had seen them before, carved into the timber frames in his grandfather’s barn. Then he remembered the old tales. How folk in the 16th century used the symbols to try and keep evil spirits and beldams away.
He took a step back, distancing himself from warning signs. Then all of his senses suddenly burst into life.
He suddenly became acutely aware of the presence standing right beside him.
It was so close he could feel its warm breath on his neck.
Its scent was the putrid flesh of a dead animal.
Mark’s heart beat a tattoo as he slowly turned to face it.
Inside the back of the transit, something stirred under the swathes of tarpaulin.
Someone. Mark’s older brother. Barely alive.
Ebbing away, he was conscious enough to hear the sounds outside. He had heard them before. Three nights ago, when his inebriated workmate had fled the safety of the vehicle, never to return. Right before he tried to conceal himself by blacking out the windows with a spray can and then etching the hexafoils into the dried coating.
They were sounds of ripping. Shredding. Snapping.
Sounds that confirmed something awful was happening outside.
In the place they called ‘Witch’s Wood’.

June 2026
The Faceless Ones
Heather Parker
"The night looms in their eyes. Their hearts. But it's a night without stars."
My older brother stops, points to the old church. "That's where the Faceless Ones live. No one ever goes there. Especially not children."
A shiver runs up my spine; on my arms, gooseflesh erupts. I pull up my Halloween mask. It smells of red paint. I look across the field, the church crouching near the woods, its windows black: gaping eyes, solemn, vacant.
Brother pulls up his demon mask, careful not to muss the horns. He kneels down, placing his hand on my shoulder. "The Faceless Ones have no faces. So, on nights like tonight, when the Veil is thinnest betwixt our worlds, they steal little children like you to find another face, then they wear it, take over their lives."
"What happens—"
But Brother stops me with a hand to my mouth, pulls me behind a tree. A finger to his lips, he beckons with his eyes for me to look across the field.
Four little figures in dresses and cloaked capelets, a fell green mist clinging to their feet as they stroll through the night-damp grass. Plain white masks adorn their faces, the eye sockets like looking down into a well at night. The mouths are slightly open in tiny O's.
The tallest one wears a peculiar pointed hood; her mask bears a devilish upturned grin in blood red, the face painted like a ghoulish clown in white and black.
"That tall one is their leader. The other ones are scouts. They're the ones who search for children in their beds," my brother whispers. "To take their faces, steal their lives."
A tap on my window, plunging me into wakefulness. My dreams scatter into fragments. A tiny white face gazes at me through the now open window. The curtains inhale and exhale with the autumn breeze. I hear the clock ticking time, like the metronome in my piano lessons.
Tick, tick, tick, tick...
Before I can scream, I am in that field, the church staring back at me. Dread surges in my bowels. How did I get here?
An ice-cold hand, dainty as a doll's slips into mine, pulls me forward. To the church. I don't know why but I know I don't want to go there. I struggle, but she is oddly strong.
I still hear the clock. Or is it the metronome?
Tick, tick, tick...
Then, the tall one, looming over me, that grin burning into my brain as a shriek erupts from my throat.
Tick, tick, tick...
I am back in the field, vision obstructed. Two other white faces drift in the darkness next to me, the green mist flowing around us.
I remove a white mask.
Walking away from me, toward home, is a small figure in my dress.
But her gait is odd.
And she's wearing my face.
I must go get it back.

June 2026
Her Death Mask
Kim Joyce
Her Death Mask
Dusk had stolen the last of the light from the sky. Darcy hesitated. Had she made the right decision? Coming here alone and telling no one where she was going.
The letter lay on the desk, the writing barely visible in the flickering light of the oil lamp. It invited her to attend an ancient death celebration held in a forgotten village.
After a career spent acquiring and cataloguing Victorian death masks, the invitation had been too tempting to refuse.
She let her fingers slide gently over the other thing resting on the desk. Warm lamplight gleamed on the smooth plaster surface.
A Victorian death mask.
Her death mask.
The likeness was uncanny.
She hadn’t tried it on. What if it fit?
A knock at the door startled her. Muted giggles drifted through the wood.
“Miss Ashbourne,” a high voice called. “The festival is about to start.”
She opened the door. Four children stood waiting. All wore dresses and smooth white death masks with large holes cut for their eyes.
One held out a tiny hand.
“Time to go.”
Another giggled.
“We don’t want them to start without us.”
Four blank white faces stared from hollow black sockets.
“Don’t forget your mask,” said the smallest.
Darcy picked up the mask and followed them into the torchlit street. At the village square she stopped.
A huge bonfire crackled in the centre while villagers formed a vast circle around it. The children skipped into the gap waiting for them and left another for Darcy.
She stepped into it.
A child tugged her skirt.
“You have to put on the mask,” she whispered. “It won’t take you if it thinks you’re already dead.”
Darcy stared at the plaster face. “How will I breathe?”
The child giggled. “The dead don’t breathe.”
Darcy looked around.
Firelight danced across the ring of blank white faces surrounding her. Empty black eye sockets stared from every direction.
“Quickly,” cried the child, suddenly serious. “It’s coming.”
With shaking hands, Darcy placed the mask over her face.
It was a perfect fit.
Softly, a sigh rippled through the empty faces.
A rush of air swept around the circle, building to a shrill screaming gale.
Pale faces rode a wave of darkness, rising up, then crashing down over the assembled villagers.
Darcy tried to scream, but the mask held her face rigid.
The darkness closed in.
Dawn light filtered through her closed eyes. Groaning, Darcy sat up. She lay on a woodland path, alone.
A dog bounded around the corner.
“Rex!” called an elderly woman following behind. “Leave that lady alone.”
Darcy climbed to her feet.
“Are you alright?”
“I’m not sure.” Darcy rubbed her face. “I was in the village down there.”
“There’s no village down there, not anymore.” The woman frowned. “Not since the fire.”
Her face drained of colour.
“Where did you get that?”
Darcy followed her gaze.
Lying on the ground between them was her death mask.

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Congratulations to Mays Winners :)
@Daniel Hollister, I really enjoyed Witch's Wood, not just for the apotropaia (these crop up often in my day job), but for the writing too. Neat, well written, prose is a joy to read, while delivering chills at the same time. Thank you.
Congratulations to April's winners 😊
These are all so good. I'd like to vote for The Clearing, but it's not included in the list of choices.
The Clearing is brill. Nice one, Emma-Louise Smith
@secretgeek excellent stuff! Really enjoyed this, and the graphic too. Very well done!
I hope I didn't miss the deadline. I see more stories above than are listed in the vote choices :)
With working on my dark fantasy, I didn't think I'd have time to join in the fun this month. But a picture full of zombies was just too good to pass up. Glad to be a part again.
Been one heck of a month here, but I'm happy to have a story submitted for this! Looking forward to reading everyone else's story! Also, where would you put the story's title in the submission? I just threw it as the first line of the story, but I noticed some were hanging above the author's name.